Aby Warburg and the Image in Motion PDF/EPUB æ and


Aby Warburg and the Image in Motion ➳ [Reading] ➶ Aby Warburg and the Image in Motion By Philippe-Alain Michaud ➩ – Natus-physiotherapy.co.uk The purposeful discontinuities and juxtapositions of Aby Warburg s iconography and how they can be used to analyze other imagery Aby Warburg is best known as the originator of the discipline of icon The purposeful discontinuities and juxtapositions of Aby Warburg and the MOBI ñ s iconography and how they can be used to analyze other imagery Aby Warburg is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name His followers included such Aby Warburg PDF/EPUB ² celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material As Phillippe Alain Michaud shows in this important book, Warburg s own project was remote from Warburg and the PDF/EPUB ¶ any positivist or neo Kantian ambitions Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a critical iconology to reveal the irrationality of the image in Western culture Opposing the grand teleological narratives of art inaugurated by Vasari, Warburg s method operated through historical anachronisms and discontinuities Using montage collision to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him Michaud uses Warburg s intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne Jules Marey, early cinema, and the dances of Loie Fuller It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity.

    Aby Warburg and the Image in Motion PDF/EPUB æ and montage collision to create textless collections of images, he brought together pagan artifacts and masterpieces of Florentine Renaissance art, ancient Near East astrology and the Lutheran Reformation, Mannerist festivals and the sacred dances of Native Americans Michaud insists that for Warburg, the practice of art history was the discovery within the art work itself of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism Challenging normative accounts of Western European classicism, Warburg located the real sources of the Renaissance in the Dionysian spirit, in the expression of movement and dance, in the experience of trance personified in the frenzied nymph or ecstatic maenad Aby Warburg and the Image in Motion is not only a book about Warburg but a book written with him Michaud uses Warburg s intuitions and discoveries to analyze other categories of imagery, including the daguerreotype, the chronophotography of Etienne Jules Marey, early cinema, and the dances of Loie Fuller It will be essential reading for anyone concerned with the origins of modern art history and the visual culture of modernity."/>
  • Paperback
  • 402 pages
  • Aby Warburg and the Image in Motion
  • Philippe-Alain Michaud
  • English
  • 09 January 2019
  • 1890951404

About the Author: Philippe-Alain Michaud

Is a well known author, some of his and the MOBI ñ books are a fascination for readers like in the Aby Warburg and the Image in Motion book, this is one of the most wanted Philippe Alain Michaud author readers around the world.



10 thoughts on “Aby Warburg and the Image in Motion

  1. Erick Felinto Erick Felinto says:

    I ve just began reading it, but Georges Didi Huberman s preface is magnificent Warburg s Mnemosyne project, carefully described and explained by Michaud, has that element of strangeness that always captures my attention in an encounter with a thinker Borges employed the same reading criterion, by cultivating his particular list of raros Warburg has just become one of my raros

  2. Terence Terence says:

    This book is a great study on Warburg and his immense historical scope in determining through the image a sense of motion in the beginning of moving pictures It also deals with his amassing an atlas of material and organizing it in a logical but idiosyncratic way around core concepts in a non linear or hierarchical sense Fascinating.

  3. La Central La Central says:

    Hace ocho a os Didi Huberman instal definitivamente en nuestro imaginario el Atlas Mnemosyne, concediendo a Aby Warburg su justo papel en la construcci n de una Historia del Arte que, desde su obra, no ha hecho m s que revolverse.El movimiento al que llama Michaud con su t tulo es el que obsesionar a Warburg, tanto como objeto de estudio o como m todo de investigaci n Movimiento que pone la Historia del Arte a andar a trav s de un Atlas y que estructura este texto en forma del viaje Viaje d Hace ocho a os Didi Huberman instal definitivamente en nuestro imaginario el Atlas Mnemosyne, concediendo a Aby Warburg su justo papel en la construcci n de una Historia del Arte que, desde su obra, no ha hecho m s que revolverse.El movimiento al que llama Michaud con su t tulo es el que obsesionar a Warburg, tanto como objeto de estudio o como m todo de investigaci n Movimiento que pone la Historia del Arte a andar a trav s de un Atlas y que estructura este texto en forma del viaje Viaje de saltos, conexiones y contrastes que llevan al historiador desde los retratos florentinos al Black Mar a, de Botticelli a las tribus Pueblo y en el que Michaud a adir alguna parada.Es el mismo movimiento que insufla a la Historia el poder animista que persigue toda obra de arte, que la contagia del ritual y la convierte en b squeda que ya no explica, sino que reproduce y repite el fen meno por el que la imagen revive infinitamente La biblioteca de Warburg se convierte en dispositivo cinematogr fico en el que las im genes, como el historiador, se desplazan para restituir el timbre de esas voces inaudibles que viven en el universo cerrado de las representaciones Mundo de fantasmas, de supervivencias y f siles animados J lia Garc a

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